Tag Archive | "Nikon Coolpix P520"

Nikon Coolpix P520 Analysis and Cost with specs

Nikon Coolpix P520 Analysis and Cost with specs, The Nikon Coolpix P520 is really a new super-zoom compact camera which has a mechanically-stabilized 42x optical zoom that provides a massive focal selection of 24-1000mm. In addition, it delivers an impressive side zoom management, a 1/2.3” Back Side Illuminated CMOS sensor with 18.one megapixels, sensitivity choice of ISO 80 to 6400, and total 1080p HD video recording with stereo sound and slow-motion video at up to 120fps. The Nikon P520 appeals additional for the keen photographer with a full selection of manual shooting modes, burst shooting at 7 frames per 2nd, 99-point autofocus strategy, 3D shooting mode, built-in GPS, support for an optional Wi-Fi dongle which can quickly transfer images and videos to essentially any clever device, in addition to a 3.2-inch 921K-dot vari-angle LCD display. The Nikon Coolpix P520 is obtainable in black, dark silver or red for £399.99 / $449.95 / €479.00.

Measuring 125.2 x 84.one x 101.6mm, the Nikon Coolpix P520 is slightly more substantial compared to the previous P510 model, but its style and design is only minimally totally different. Like most high-end superzooms, the Nikon P520 sports the typical bridge camera look, using a chunky hand-grip, substantial lens barrel, pop-up flash and an eye-level electronic viewfinder. The deep grip is moulded to match comfortably into your appropriate hand, and is rubberised in a textured material for extra comfort.

The dominant part on the P520 is the 42x zoom lens, which goes from an ultra-wide 24mm to a frankly incredible 1000mm in 35mm terms. Thinking about that with an SLR, you’d desire at least 3-4 lenses to cover precisely the same focal range, the single, fixed-mount lens of the Nikon P520 could very well be described as remarkably compact, even if it does lengthen really a little when zoomed to complete telephoto. Super-zooms have consistently had a status for providing a high “fun factor”, and the P520 is no a variety of. The ability to rapidly go from wide angle to ultra-telephoto is one thing which has to be seasoned in order to become fully appreciated. It surely gives you a type of freedom you don’t come to feel with every other type of camera.

For its dimension, the P520′s lens can also be respectably quick, with greatest apertures of f/3 at 24mm and f/5.9 at 1000mm. Note that the lens cap has to be removed prior to turning for the camera – failing to complete so will lead to an error message currently being displayed, and you may need to flip off the camera in advance of it is possible to turn it on once more, which can be somewhat annoying. Though any time you only desire to assessment what’s presently about the card, you can even power about the P520 by holding down the Playback button, by which case the lens will not lengthen.

Nikon have incorporated their VR (Vibration Reduction) picture stabilisation process to aid stop camera-shake, enabling the use of shutter speeds up to 4 stops slower, whilst the brand new Lively mode assures clear shots even from moving vehicles. Annoyingly there is not a devoted button to turn it on and off (it can be relatively buried inside the Setup menu). In practice we noticed that the VR technique helps make a noticeable variation for the sharpness with the images, as shown within the examples to the Image Top quality webpage.

You do not discover the camera is really performing anything at all a variety of when anti-shake is turned on, just you can use slower shutter speeds than ordinary and nonetheless consider sharp images. It didn’t seem to adversely affect the battery existence both, and that is all over a barely adequate 200 shots, so we would advise you to flip it on then forget about this. It really is an effective concept to turn VR off (via the menu) when the camera is mounted on the tripod, lest the technique itself induce blurring by striving to counter camera shake that is not there.

Zooming is executed by way of a traditional zoom lever that encircles the shutter release button sitting atop the right-hand grip. It happens to be of your dual-speed assortment: rotating it all the way in which in either path will alter the focal length rather quickly, when rotating it partially will lead to the lens components to move much more slowly, enabling you to set the desired focal length much more exactly. You are able to alternatively zoom by using the progressive side zoom management within the lens barrel, and that is a vertical rocker switch activated with your left hand. It has a slower action compared to the major zoom lever, and is for that reason ideally suited to shooting video any time you demand a a whole lot more sedate zoom with less mechanical noise.

You can find two several methods of composing images using the Nikon Coolpix P520: you possibly can use either the eye-level electronic viewfinder (EVF) or even the rear display. Sadly, one can find still no eye proximity sensors that might let the camera to toggle between the two immediately, and to the P520 there’s no button to toggle amongst the 2. As a substitute you have to shut the LCD display wholly to work with the EVF, which is at pretty unintuitive. Since the EVF is known as a bog typical affair with 201,000 dots and average magnification, practically nothing to write home about, specially in 2013, you almost certainly will not use it very much anyway. The three-inch rear LCD screen is considerably nicer to consider, because of its substantial resolution of 921,000 dots. All the more importantly, it truly is now a vari-angle model which will be flipped-out to your side and tilted as a result of 270 degrees, providing you quite a lot of flexibility in composing your shots, a large improvement about the way more constrained movement provided by the P510′s display.

The layout and number of external controls haven’t transformed very much through the P510. You still obtain a common, top-mounted mode dial with P, A, S and M shooting modes – wonderful for the photographer who wants to get total manage – combined with total auto, Scene Car Selector, Evening Landscape, Landscape and Backlighting modes. The results mode lets you apply among nine a variety of extraordinary results while you shoot with all the Nikon Coolpix P520, having a reside preview to the LCD screen exhibiting precisely what the last image will seem like. There is also a Consumer (U) setting you’re able to use to fairly quickly retrieve a blend of one’s most regularly utilized settings. The shutter release, zoom lever and energy button are primarily from the same locations as within the P520, joined through the very same customisable Perform button.

Within the Backlighting mode, the P520 captures three consecutive shots at various exposures and combines them right into a single photo with a broader selection of tones. Three completely different HDR settings are available for assortment. When the Evening Landscape scene mode is chosen, the P520 will take a few shots at a quick shutter velocity after which combines them to create just one optimized photo, enabling you to shoot right after dark without having to use a tripod. The Convenient Panorama scene mode means that you can take vertical or horizontal panorama pictures simply by moving the camera in the course with the on-screen guides. Many different shots are then mixed into a single panorama photograph. The angle of see can be chosen from 180° (ordinary) and 360° (broad).

The rear controls can also be laid out quite similarly to people in the preceding model. There may be a well-positioned management wheel from the top-right corner (when viewed from your back), which tends to make it hassle-free to change the aperture and shutter velocity within a and S modes respectively, but there’s nevertheless no 2nd dial over the hand-grip which would have made working Guide mode very much less difficult. The acquainted multi-selector with its centred Okay button is just like the P510, with all the exact same personal functions that are mapped onto the Up, Down, Left and Suitable buttons. These include the flash and concentrate modes, the self-timer and publicity compensation, respectively. The multi-selector is usually a rotating wheel with an audible click and also a textured surface to support operation. There is certainly nevertheless no apparent shortcut vital to ISO velocity, and that is only available in the menu (as is white balance) or by assigning it to your Function button.

The P520′s focus modes comprise of AF, Macro, Infinity and Guide. AF could very well be centre-spot, consumer selectable from 99 concentrate points or camera selectable from 9 points. In Encounter Priority AF mode, the camera can detect up to twelve human faces and can target within the one particular closest to your camera. We discovered that irrespective of AF area mode, auto-focus velocity was satisfactory for even now subjects, but a little as well slow for fast-moving ones. Guide focusing is additionally likely, although somewhat awkward: you will get a rudimentary distance scale to the right-hand side with the screen, and might alter emphasis via the Up and Down buttons. The centre of your picture is enlarged to aid you with checking concentrate, but sad to say this really is attained by means of interpolation as an alternative to genuine magnification. The entire procedure is rather slow, but can nonetheless be a godsend once the auto-focus technique starts acting up.

The flash with the Nikon P520 must be popped up manually, implementing the button around the side with the mock pentaprism housing. You can set the flash mode to automobile, automobile with red-eye reduction, fill, slow sync and rear-curtain sync by way of the Up button on the multi-controller, but only once the flash is raised. As there isn’t any hot-shoe or sync terminal to the Nikon Coolpix P520, and it doesn’t give wireless TTL flash manage both, the only method to sync up an external flashgun with the camera is always to optically slave it for the built-in unit.

The P520 has a built-in Worldwide Positioning Program (GPS) that information the exact place (latitude and longitude) wherever a picture was taken, recording it during the image’s EXIF information. You can even use it to record your route even though you don’t consider any taking pics, set the camera’s clock, plot factors of curiosity and utilize the built-in electronic compass. The GPS does consider a despite the fact that to lock onto a satellite in city centres and it does not have a tendency to drain the battery if left on all the time. The 3D shooting mode produces a 3D image which can be played back on any 3D-capable TVs and computers. The P520 instantly combines two pictures taken from diverse positions to make the 3D result, using the second shot cleverly taken immediately once the camera detects that you’re while in the right place.

The P520 has the ability to shoot full-resolution stills at as much as 7 frames per second (fps), the same charge as its predecessor, for seven shots instead of five as about the P510. There is certainly also a slower burst mode, named Steady L, during which the frame charge drops to 1fps, but you can capture up to 30 full-resolution photos with the Large quality setting. Note that you simply can not make use of the flash in any of your constant shooting modes. Disappointingly the P520 still does not help the RAW file format, something that all of its primary rivals offer you, plus a prosumer feature that frankly we’d expect on this class of camera.

The P520 can shoot Total HD (1920×1080 pixel) movies at 60i/50i/30p/25p frames per second, with stereo sound and complete utilization of the optical zoom. In addition, it offers a 720p/25p mode, an iFrame 960×540 pixel mode at 30/25p and VGA 640×480 pixel mode at 30/25p. Nikon’s clever designers place the stereo microphone to the best on the camera ideal behind the flash. A Wind Noise Reduction perform is obtainable while in the Movie menu. Serving to minimise the noise of wind blowing within the microphone, it can be advisable for being turned on in sturdy wind only, because it may likely also make other sounds problematic to hear. Sensor-shift VR is just not on the market all through movie recording, but you could possibly opt to turn on electronic image stabilisation.

The P520 can be capable of high-speed (HS) film recording. VGA movies will be recorded at 4x velocity more quickly than normal speed and played back at 1/4-speed slow movement. 720p motion pictures are recorded at 2x pace faster than usual speed and played back at 1/2-speed slow movement. 1080p movies are recorded at 0.5x velocity of ordinary velocity and played back at 2x speed quickly movement. Sound is just not recorded and no type of VR is available. Provided the higher frame prices, these videos demand rapidly shutter speeds, which effectively indicates that you might need particularly vibrant ailments.

Recording film clips is quite effortless about the Nikon P520 by means of the one-touch Movie Record button within the rear of your camera. By pressing this button, you’re able to start recording a clip irrespective of what shooting mode you happen to be in. You can actually make use of the optical zoom though filming, and full-time AF is additionally to choose from. In use, we uncovered that zooming in or out sometimes triggered the image to go temporarily out of concentrate, however the AF process in most cases adjusted itself rather swiftly in these cases. The maximum clip length is restricted to 29 minutes for the two typical and high-speed videos. The Creative Slider and Exceptional Results may also be applied when shooting movies, plus they could very well be played back on a HDTV by means of the built-in HDMI connector, despite the fact that as usual there is no suitable cable supplied from the box. The P520 supports the CEC function for HDMI which permits playback manage utilizing your TV’s remote management.

The Nikon Coolpix P520′s familiar Menu button accesses the usual Nikon menu technique, which is clear and simple to navigate. Press this when in any on the shooting modes and there is three menus, Shooting, Movie, GPS and Setup, with two menus, Playback and Settings, offered when you are reviewing a picture. A large oversight stands out as the pretty much frequent have to utilize the menu system for setting the ISO pace, white stability, metering, and AF mode, with not less than four button presses necessary to alter these often-used functions. The P520 is sorely missing some type of easy menu process, accessible by way of an external control, to assist velocity up its general operation.

In playback mode, pressing precisely the same Menu button affords access to picture editing, including Nikon’s exposure adjusting D-Lighting function, Skin Softening and Filter Effects, picture slide shows, along with the automatic Swift Retouch. A button to your suitable qualities the familiar trashcan icon for deleting pictures about the fly and completes the rear with the P520.

On the perfect flank within the camera – nonetheless viewing it from the rear – there is a metal eyelet for attaching the supplied shoulder strap plus a plastic cover protecting the HDMI port and A/V out / USB port. Over the left hand flank is a further eyelet. There is a centrally positioned, metal tripod mount for the bottom on the camera. The P520 is powered by a 1100 mAh lithium ion battery, excellent for all over 200 shots, that slots into the base alongside the SD / SDHC / SDXC card slot. There’s a tiny inner memory too, nevertheless it will only hold several photos at complete resolution, so you will absolutely require a memory card. Note that recharging the P520 may be a relatively convoluted affair, using the battery remaining in camera and requiring the battery cover to get closed.

The overall performance of your Nikon P520 is mainly satisfactory. It starts up in underneath two seconds and zooms fairly quickly nonetheless accurately for any electrical power zoom. As mentioned earlier, its autofocus velocity is not the greatest in spite of the inclusion of the topic tracking mode, but you’ll only observe that when striving to capture quickly action. We located the high-speed continuous shooting mode brilliant but sadly restricted by the rather small buffer. The only truly aggravating design and style flaw is the lack of direct accessibility to ISO velocity and white balance. We’d definitely like to see dedicated buttons for these functions, though the Function button goes some way for you to rectifying this.

Posted in Camera ReviewComments (0)



<ul><li><strong>woo_ads_rotate</strong> - true</li><li><strong>woo_ad_content_adsense</strong> - </li><li><strong>woo_ad_content_disable</strong> - false</li><li><strong>woo_ad_content_image</strong> - http://www.woothemes.com/ads/woothemes-468x60-2.gif</li><li><strong>woo_ad_content_url</strong> - http://www.woothemes.com</li><li><strong>woo_ad_image_1</strong> - /images/125x125.gif</li><li><strong>woo_ad_image_2</strong> - /images/125x125.gif</li><li><strong>woo_ad_image_3</strong> - /images/125x125.gif</li><li><strong>woo_ad_image_4</strong> - /images/125x125.gif</li><li><strong>woo_ad_mpu_adsense</strong> - <a href=\"http://jedite.com/decorating-your-residing-room-choosing-a-design/\"><img src=\"http://cameraphotoeditor.com/wp-content/uploads/2013/05/design-modern-home-300x226.jpg\" alt=\"contemporary-house-Warsaw\" width=\"300\" height=\"250\" class=\"alignnone size-full wp-image-32\" /></li><li><strong>woo_ad_mpu_disable</strong> - false</li><li><strong>woo_ad_mpu_image</strong> - http://www.woothemes.com/ads/300x250a.jpg</li><li><strong>woo_ad_mpu_url</strong> - http://www.woothemes.com</li><li><strong>woo_ad_top_adsense</strong> - </li><li><strong>woo_ad_top_disable</strong> - false</li><li><strong>woo_ad_top_image</strong> - http://cameraphotoeditor.com/wp-content/uploads/2013/05/ads5.jpeg</li><li><strong>woo_ad_top_url</strong> - http://www.woothemes.com</li><li><strong>woo_ad_url_1</strong> - http://example.com/ads/ad1_destination.html</li><li><strong>woo_ad_url_2</strong> - http://example.com/ads/ad1_destination.html</li><li><strong>woo_ad_url_3</strong> - http://example.com/ads/ad1_destination.html</li><li><strong>woo_ad_url_4</strong> - http://example.com/ads/ad1_destination.html</li><li><strong>woo_alt_stylesheet</strong> - lightblue.css</li><li><strong>woo_archives</strong> - Select a page:</li><li><strong>woo_author</strong> - false</li><li><strong>woo_auto_img</strong> - true</li><li><strong>woo_block_image</strong> - /images/468x60-woothemes.gif</li><li><strong>woo_block_url</strong> - http://www.woothemes.com</li><li><strong>woo_blog_cat_id</strong> - </li><li><strong>woo_blog_navigation</strong> - false</li><li><strong>woo_blog_navigation_footer</strong> - false</li><li><strong>woo_blog_permalink</strong> - </li><li><strong>woo_blog_sidebar</strong> - Select a sidebar:</li><li><strong>woo_blog_subnavigation</strong> - false</li><li><strong>woo_breadcrumbs</strong> - false</li><li><strong>woo_cat_list</strong> - Select a number:</li><li><strong>woo_cat_mid_1</strong> - false</li><li><strong>woo_cat_nav_1</strong> - false</li><li><strong>woo_content_feat</strong> - false</li><li><strong>woo_content_left</strong> - false</li><li><strong>woo_content_mid</strong> - false</li><li><strong>woo_custom_css</strong> - </li><li><strong>woo_custom_favicon</strong> - http://cameraphotoeditor.com/wp-content/woo_uploads/4-123456789.png</li><li><strong>woo_disclaimer</strong> - </li><li><strong>woo_exclude_pages_footer</strong> - </li><li><strong>woo_exclude_pages_main</strong> - </li><li><strong>woo_exclude_pages_subnav</strong> - </li><li><strong>woo_featured_category</strong> - Photograph</li><li><strong>woo_feat_entries</strong> - 7</li><li><strong>woo_feat_height</strong> - 210</li><li><strong>woo_feat_width</strong> - 280</li><li><strong>woo_feedburner_id</strong> - </li><li><strong>woo_feedburner_url</strong> - </li><li><strong>woo_flickr_entries</strong> - Select a number:</li><li><strong>woo_flickr_id</strong> - </li><li><strong>woo_google_analytics</strong> - <a href=\"http://www.zimbio.com/member/abahrafi\"><img alt=\"My Zimbio\" title=\"My Zimbio\" src=\"http://www.zimbio.com/images/badges/badgeGrey.png?u=abahrafi\" border=\"0\" /></a>

<!-- Histats.com  START (hidden counter)-->
<script type=\"text/javascript\">document.write(unescape(\"%3Cscript src=%27http://s10.histats.com/js15.js%27 type=%27text/javascript%27%3E%3C/script%3E\"));</script>
<a href=\"http://www.histats.com\" target=\"_blank\" title=\"free web page hit counter\" ><script  type=\"text/javascript\" >
try {Histats.start(1,2336601,4,0,0,0,\"\");
Histats.track_hits();} catch(err){};
</script></a>
<noscript><a href=\"http://www.histats.com\" target=\"_blank\"><img  src=\"http://sstatic1.histats.com/0.gif?2336601&101\" alt=\"free web page hit counter\" border=\"0\"></a></noscript>
<!-- Histats.com  END  --></li><li><strong>woo_home</strong> - false</li><li><strong>woo_homepage</strong> - layout-default.php</li><li><strong>woo_home_secondary</strong> - 3</li><li><strong>woo_home_sidebar</strong> - Select a sidebar:</li><li><strong>woo_home_thumb_height</strong> - 100</li><li><strong>woo_home_thumb_width</strong> - 261</li><li><strong>woo_image_disable</strong> - false</li><li><strong>woo_image_height</strong> - 200</li><li><strong>woo_image_single</strong> - false</li><li><strong>woo_image_width</strong> - 200</li><li><strong>woo_inc_intro_page</strong> - false</li><li><strong>woo_inc_intro_page_left</strong> - false</li><li><strong>woo_inc_intro_page_right</strong> - false</li><li><strong>woo_inc_tabber_pages</strong> - false</li><li><strong>woo_intro_page</strong> - </li><li><strong>woo_intro_page_left</strong> - </li><li><strong>woo_intro_page_right</strong> - </li><li><strong>woo_logo</strong> - http://cameraphotoeditor.com/wp-content/woo_uploads/3-logo.gif</li><li><strong>woo_mag_featured</strong> - 6</li><li><strong>woo_mag_secondary</strong> - Select a number:</li><li><strong>woo_manual</strong> - http://www.woothemes.com/support/theme-documentation/gazette-edition/</li><li><strong>woo_not_mpu</strong> - false</li><li><strong>woo_page_sidebar</strong> - Select a sidebar:</li><li><strong>woo_resize</strong> - true</li><li><strong>woo_shortname</strong> - woo</li><li><strong>woo_show_carousel</strong> - false</li><li><strong>woo_show_video</strong> - false</li><li><strong>woo_single_height</strong> - 400</li><li><strong>woo_single_width</strong> - 580</li><li><strong>woo_slider</strong> - false</li><li><strong>woo_smallthumb_height</strong> - 42</li><li><strong>woo_smallthumb_width</strong> - 56</li><li><strong>woo_subnav</strong> - false</li><li><strong>woo_tabber_pages</strong> - </li><li><strong>woo_tabs</strong> - false</li><li><strong>woo_themename</strong> - Gazette</li><li><strong>woo_the_content</strong> - true</li><li><strong>woo_thumb_height</strong> - 75</li><li><strong>woo_thumb_width</strong> - 75</li><li><strong>woo_twitter</strong> - </li><li><strong>woo_uploads</strong> - a:2:{i:0;s:67:"http://cameraphotoeditor.com/wp-content/woo_uploads/4-123456789.png";i:1;s:62:"http://cameraphotoeditor.com/wp-content/woo_uploads/3-logo.gif";}</li><li><strong>woo_video_category</strong> - Select a category:</li></ul> My Zimbio